{"id":1431,"date":"2023-06-04T11:39:26","date_gmt":"2023-06-04T11:39:26","guid":{"rendered":"http:\/\/larsabrahamsen.dk\/?page_id=1431"},"modified":"2025-11-23T17:54:00","modified_gmt":"2025-11-23T17:54:00","slug":"c-v","status":"publish","type":"page","link":"https:\/\/larsabrahamsen.dk\/index.php\/c-v\/","title":{"rendered":"C.V."},"content":{"rendered":"\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

Lars Abrahamsen<\/strong><\/p>\n\n\n\n

.<\/p>\n\n\n\n

F\u00f8dt 1953 p\u00e5 Tr\u00f8jborg ved Aarhus<\/p>\n\n\n\n

.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Faglig baggrund<\/strong><\/p>\n\n\n\n

Opvokset ved en far som var t\u00f8mrer, snedker og ingeni\u00f8r<\/p>\n\n\n\n

Uddannet fotograf ved Thomas og Poul Pedersen i Aarhus i 1969-1973<\/p>\n\n\n\n

Brandbjerg H\u00f8jskole 1973. L\u00e6rere: Gunnar Jensen, Per H\u00f8jholt og Erik Nyholm<\/p>\n\n\n\n

\u00c5rhus Kunstakademi 1974-77. L\u00e6rere: Hasse Juul, Mogens Gissel og Bjarne Nielsen<\/p>\n\n\n\n

Har besk\u00e6ftiget sig med fotografi, maleri, grafik, assemblage og skulptur<\/p>\n\n\n\n

Arbejdet i m\u00f8belindustrien med produktudvikling, udstillingstilrettel\u00e6ggelse, b\u00f8ger, kataloger, plakater<\/p>\n\n\n\n

Observat\u00f8r for Skov- og Naturstyrelsen p\u00e5 statens reservater. Bl.a. Tipperne, Vejlerne, Vors\u00f8 Hirtsholmene og Christians\u00f8<\/p>\n\n\n\n

Camera assistent for Anthony Dod Mantle (DFF, BSA, ASC) 1988-1991<\/p>\n\n\n\n

Forsker og planl\u00e6gger i Ny Carlsbegfondet 1995-2005<\/p>\n\n\n\n

Samarbejdspartner med Cobra-kenderen Per Hovdenakk p\u00e5 udstillinger i Norden og Europa <\/p>\n\n\n\n

Assistent for billedhuggerne: Svend Wiig-Hansen, J\u00f8rgen Haugen S\u00f8rensen og John Olsen<\/p>\n\n\n\n

Medlem af: Fynske Billedhugger V\u00e6rksteder Hollufgaard, Den Fynske For\u00e5rsudstilling, Dansk<\/p>\n\n\n\n

Billedhugger Samfund og Billedkunstnernes Forbund<\/p>\n\n\n\n

Solgt til: Ny Carlsbergfondet, VUC Syd, Vejle Kommune, Nyborg Kommune, Odeon Odense, Albani Fonden,  Zirkus Nemo, <\/p>\n\n\n\n

H.M. Dronningen og Aage V. Jensens Fonde, Christians\u00f8 Administation, Etablissement- og Terr\u00e6nkommandoen<\/p>\n\n\n\n

Legatater og fonde: Herman Madsen og Charlotte Henriksens Mindelegat,  Henny og Johan Richters Fonds H\u00e6derslegat, Grosserer L. F. Foghts Fond, Det Anckerske  Legat<\/p>\n\n\n\n

<\/p>\n\n\n\n

.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Udstillinger de sidste \u00e5r og i \u00e5r:<\/strong><\/p>\n\n\n\n

.<\/p>\n\n\n\n

Sort som sne.<\/em> Galleri Svinestien. 2025<\/p>\n\n\n\n

5000. <\/em>Rungstedgaard Skulpturpark. 2025<\/p>\n\n\n\n

Daffodil. <\/em>Den Fynske For\u00e5rsudstilling. SAK Svendborg 2025<\/p>\n\n\n\n

Krapyl p\u00e5 natm\u00f8rkt hav<\/em>. Hanstholm Fyr. 2024<\/p>\n\n\n\n

Fynsk For\u00e5r ved \u00c6gaf<\/em>. Nymindegab Museum 2024<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling.<\/em> SAK Svendborg 2024<\/p>\n\n\n\n

Natblind med vinger.<\/em> Toldboden Kerteminde. 2024<\/p>\n\n\n\n

Filofionia<\/em>. Kunstbygningen Filosoffen, Odense 2023<\/p>\n\n\n\n

St\u00f8tteudstilling. Palivaren Christians\u00f8 2023<\/p>\n\n\n\n

Kuglen,<\/em> Skulpturparken-Aller\u00f8d 2023<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling,<\/em> SAK, Svendborg 2023<\/p>\n\n\n\n

Skulpturby Give,<\/em> Give 2022<\/p>\n\n\n\n

Fugl 22. <\/em>Johannes Larsen Museet 2022<\/p>\n\n\n\n

Rumlig Forankring,<\/em> Fuglsanghus, H\u00f8rsholm 2022<\/p>\n\n\n\n

Forunderlig Skulptur-Natur, <\/em>Dronninglund Kunstcenter 2022<\/p>\n\n\n\n

M\u00e5 Gerne Ber\u00f8res, <\/em>Skovgaard Museet, Viborg 2022<\/p>\n\n\n\n

Skulpturby Give,<\/em> Give 2022<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling, <\/em>SAK, Svendborg 2022<\/p>\n\n\n\n

Modeller til noget stort. <\/em>Det Fynske Kunstakademi, Odense 2021<\/p>\n\n\n\n

SkulpturOdense\u201921.<\/em>Hollufgaard, Odense 2021<\/p>\n\n\n\n

Laboratorium, <\/em>Carlsh\u00f6he 78, Eckernf\u00f6rde 2021<\/p>\n\n\n\n

                         Dronninglund Kunstcenter 2021 <\/p>\n\n\n\n

M.G.B. T\u00e5rnh\u00f8j, <\/em>Store T\u00e5rn, Christians\u00f8 2021<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling, <\/em>SAK, Svendborg 2021<\/p>\n\n\n\n

Det Ordner Sig, <\/em>GaleRiget, Faaborg 2020<\/p>\n\n\n\n

Skulptur, Tekstur, Figur, <\/em>Sophienholm 2020<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling, <\/em>SAK, Svendborg 2020<\/p>\n\n\n\n

Skulptur og digte p\u00e5 Det gl. R\u00e5dhus, <\/em>Det Ny Kastet, Thisted 2020<\/p>\n\n\n\n

O.Helms,<\/em> Foderstoffen Rudme 2020<\/p>\n\n\n\n

Fugl 2019, <\/em>Johannes Larsen Museet 2019<\/p>\n\n\n\n

Fynsk For\u00e5r,<\/em> Sophienholm 2019<\/p>\n\n\n\n

                      Johannes Larsen Museet 2019<\/p>\n\n\n\n

                      KunstCenteret Silkeborg Bad 2019-20<\/p>\n\n\n\n

Gabra, Huset i Asn\u00e6s, <\/em>2019<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling 90-\u00e5rs Jubil\u00e6um. <\/em>SAK 2019<\/p>\n\n\n\n

El Dorado,<\/em> SAK Svendborg 2019<\/p>\n\n\n\n

M\u00e5 Gerne Ber\u00f8res, <\/em>Clausens Kunsthandel, K\u00f8benhavn 2019<\/p>\n\n\n\n

Skulpturbiennalen, <\/em>Dronninglund Kunstcenter 2018<\/p>\n\n\n\n

M\u00e5 Gerne Ber\u00f8res, <\/em>Johannes Larsen Museet 2018<\/p>\n\n\n\n

En vidunderlig verden, <\/em>Johannes Larsen Museet 2017<\/p>\n\n\n\n

Rysteribs, <\/em>Galleri Svinestien, Rudme 2017<\/p>\n\n\n\n

Becoming Human – Skulptur Odense 17, <\/em>Odense Zoo 2017  <\/p>\n\n\n\n

Henry Moore \u2013 gr\u00e6nser til Norden,<\/em> Kunstmuseet i T\u00f8nder 2017<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling, <\/em>SAK, Svendborg 2017, 2018 <\/p>\n\n\n\n

Skulptur, Skulptur, Skulptur, <\/em>Kunstetagerne, Hobro 2017<\/p>\n\n\n\n

SES, <\/em>KunstCenteret Silkeborg Bad 2016<\/p>\n\n\n\n

Tik-Tak, <\/em>Galleri Svinestien, Rudme 2016<\/p>\n\n\n\n

                Seldeco, Roslev 2016<\/p>\n\n\n\n

Artpark16,  <\/em>Hollufgaard, Odense 2016<\/p>\n\n\n\n

Fugl, <\/em>Johannes Larsen Museet, Kerteminde 2016<\/p>\n\n\n\n

         Vendsyssel Kunstmuseum, Hj\u00f8rring 2016<\/p>\n\n\n\n

Himlens Fugle, <\/em>Sophienholm, Kgs. Lyngby 2016<\/p>\n\n\n\n

Netzwerk,<\/em> Regierungspr\u00e4sidium Karlsruhe 2016<\/p>\n\n\n\n

                 Daetz-Centrum, Lichenstein 2016<\/p>\n\n\n\n

                 Landesvertreung, E.U. in Br\u00fcssel 2016<\/p>\n\n\n\n

Lempe, <\/em>Esbjerg R\u00e5dhus 2016<\/p>\n\n\n\n

Favntag, <\/em>Kongegaarden, Kors\u00f8r 2015<\/p>\n\n\n\n

Dyr menneske \u2013 menneske dyr, <\/em>Foderstoffen Ringe 2015<\/p>\n\n\n\n

Svedne vinger,<\/em> VUC SYD Haderslev Kunstforening 2015<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling, <\/em>SAK Kunstbygning 2015, 2016<\/p>\n\n\n\n

Kunst p\u00e5 Fyret,<\/em> Hirtshals Fyr 2015<\/p>\n\n\n\n

Polle og Lasse p\u00e5 udflugt, <\/em>Nicolaj Kunst & Design, Kolding 2015<\/p>\n\n\n\n

Skulder ved skulder, <\/em>SAK Kunstbygning, Svendborg 2015<\/p>\n\n\n\n

DFF 85 \u00e5r<\/em>, Johannes Larsen Museet, Kerteminde 2014<\/p>\n\n\n\n

Ord til andet, <\/em>Sophienholm, Kgs. Lyngby 2013<\/p>\n\n\n\n

                       KunstCenteret Silkeborg Bad 2013<\/p>\n\n\n\n

Fynsk For\u00e5r p\u00e5 Gl. R\u00e5dhus, <\/em>Det Ny Kastet, Thisted 2011<\/p>\n\n\n\n

Menneske og dyr, <\/em>Kultur- og Kunstcenter Tusk\u00e6r, <\/em>Fjaltring  2010<\/p>\n\n\n\n

Traj,<\/em> Galleri Varming, Valby 2010<\/p>\n\n\n\n

Veks\u00f8lund Skulpturpark,<\/em>Veks\u00f82009, 2010<\/p>\n\n\n\n

Gensyn med Rylens Kyster, <\/em>Johannes Larsen Museet, Kerteminde 2008<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling,<\/em> Filosofgangen, Odense 2008, 2009, 2010, 2011, 2012, 2013<\/p>\n\n\n\n

Livets Tr\u00e6er, <\/em>KunstCenteret Silkeborg Bad 2006<\/p>\n\n\n\n

De hedder alle sammen Lars, <\/em>Kulturbygningen SAK, Svendborg 2005<\/p>\n\n\n\n

M\u00f8ns Natur, <\/em>M\u00f8ns Museum 2004<\/p>\n\n\n\n

De Fynske Kunst- og Kulturdage, <\/em>R\u00e5dhushallen, Odense 2004<\/p>\n\n\n\n

Angrib p\u00e5 et hj\u00f8rne, <\/em>Filosofgangen, Odense 2002<\/p>\n\n\n\n

Id\u00e9boxing, <\/em>ARoS\/\u00c5rhus Kunstmuseum 2005<\/p>\n\n\n\n

                  Randers Kunstmuseum 2005<\/p>\n\n\n\n

                  Overgaden, K\u00f8benhavn 2004<\/p>\n\n\n\n

                  Stockholm Art Fair 2003<\/p>\n\n\n\n

                  London-Biennale 2002<\/p>\n\n\n\n

                  Charlottenborg Udstillingsbygning, K\u00f8benhavn 2002<\/p>\n\n\n\n

Dyrejeg, <\/em>Moderna Museet, Stockholm 2001<\/p>\n\n\n\n

               Kunsthallen Nikolaj, K\u00f8benhavn 2000<\/p>\n\n\n\n

               Kulturv\u00e6rket, Porsgrunn 2000<\/p>\n\n\n\n

               Brandts Kl\u00e6defabrik, Odense 2000<\/p>\n\n\n\n

Den Fynske For\u00e5rsudstilling, <\/em>Filosofgangen, Odense 2000<\/p>\n\n\n\n

Fuglefri, <\/em>KunstCenteret Silkeborg Bad 1998<\/p>\n\n\n\n

Memento Metropolis,<\/em> Liljeholmens Kulturfabrik, Stockholm 1998<\/p>\n\n\n\n

Hessenhuis, Antwerpen 1997<\/p>\n\n\n\n

                       Turbinehallerne, K\u00f8benhavn 1996<\/p>\n\n\n\n

John Olsen<\/em>, Biennale de Venezia., Italien.  1995 (Medudstiller: Lars Abrahamsen) <\/p>\n\n\n\n

Fyens Stifts Kunstmuseum. 1995<\/p>\n\n\n\n

Kastrupgaard Samlingen. 1996 <\/p>\n\n\n\n

Holstebro Kunstmuseum. 1996 <\/p>\n\n\n\n

DCA Galleri, New York. 1996<\/p>\n\n\n\n

Fugle i Kunsten,<\/em> Nivaagaards Malerisamling, Niv\u00e5 1991<\/p>\n\n\n\n

Dyr og Menneske, <\/em>Jelling 1984<\/p>\n\n\n\n

Billeder og effekter.<\/em> Fredningsstyrelsen. K\u00f8benhavn 1983<\/p>\n\n\n\n

Elevafgang,<\/em> Aarhus Kunstakademi 1976<\/p>\n\n\n\n

Ung grafik, <\/em>Andelsbanken Sct. Clemens Torv, Aarhus 1974<\/p>\n\n\n\n

Debut: KP 1971<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n","protected":false},"excerpt":{"rendered":"

. . . . . Lars Abrahamsen . F\u00f8dt 1953 p\u00e5 Tr\u00f8jborg ved Aarhus . Faglig baggrund Opvokset ved en far som var t\u00f8mrer, snedker og ingeni\u00f8r Uddannet fotograf ved Thomas og Poul Pedersen i Aarhus i 1969-1973 Brandbjerg H\u00f8jskole 1973. L\u00e6rere: Gunnar Jensen, Per H\u00f8jholt og Erik Nyholm \u00c5rhus Kunstakademi 1974-77. L\u00e6rere: Hasse Juul, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1431","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/pages\/1431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/comments?post=1431"}],"version-history":[{"count":23,"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/pages\/1431\/revisions"}],"predecessor-version":[{"id":2058,"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/pages\/1431\/revisions\/2058"}],"wp:attachment":[{"href":"https:\/\/larsabrahamsen.dk\/index.php\/wp-json\/wp\/v2\/media?parent=1431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}